Environmental Aesthetics and Land Art

نویسندگان

چکیده

In this paper, the author reflects on relationship between environmental aesthetics and land art. By considering their historical development, first addresses terminology problem which prompted him to understand art as a hypernym – i.e. term that semantically encompasses other practices (e.g. “Earth art”, “Earthworks”, “Site “Arte Povera”, “Environment(al) “Ecological art”). Moreover, by certain features of integration, interruption, involvement, implementation, imagining), proposes thesis according represents not only contemporary movement but also new form aesthetic experience nature. further development thesis, focuses two principles participation entropy in history theory have been almost non-existent, pushed margins, or completely neglected. Finally, finding solid theoretical foundations for Ronald W. Hepburn’s ground-breaking essay “Contemporary Aesthetics Neglect Natural Beauty” (1984), well some projects Robert Smithson, Spiral Jetty, 1970), emphasises strong connection

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ژورنال

عنوان ژورنال: Pannoniana

سال: 2022

ISSN: ['2459-6760', '2459-7465']

DOI: https://doi.org/10.32903/p.6.1.1